Showing posts with label Ginger Rogers. Show all posts
Showing posts with label Ginger Rogers. Show all posts

Thursday, January 22, 2009

Just a couple of rose-colored glasses. Let's try them and see how the world looks...

I had to choose tonight between doing laundry and getting home in time to watch 42nd Street. I'll bet most of you can guess which activity I picked. Clean clothes are overrated*; this movie certainly isn't. I saw my first glimpse of it in that film history class I'm always going on about. We didn't have time to watch the whole thing, but I got to see the "Young And Healthy" number as an example of pre-code musicals.

Now that I've seen the whole thing, I can say without a doubt that it's by far my favorite musical. The story, the cast, the choreography, the cinematography -- all wonderful. And so different from every other musical I've seen! Of course, I haven't had the opportunity to see many examples of the pre-code cinema at its best, but this was certainly an interesting place to start.

We all know how much I love classic movies, but what struck me while I was watching this one was that although it's the oldest musical I've seen, it's also very much the most modern. Don't get me wrong, a lot of supremely witty and creative work came out of the Code era and the need to work around those restrictions, but for someone around my age who hadn't been exposed to classic musicals before, I really think that 42nd Street would be the perfect way to ease into it. Some of the costumes and even the script in some places ("Sexy ladies from the 80's," anyone?) would almost feel right at home in a theater today, if not for obvious changes in style and slang. If and when I finally convince my friends to sit down and watch a movie with me, this would definitely be in the running for which one I'd show them.

I even loved the musical numbers. That may seem obvious, considering the genre, but I'm not a fan of musicals in general. Usually I watch them for the plot or the acting or even the dancing, but the songs themselves I can take or leave with very few exceptions. However, how could I not sit up and pay attention to this?



I can't believe it took me a full year to finally see the rest of this movie. Hopefully it won't be so long before I see another Busby Berkeley flick.


*That makes me sound disgusting. I promise, not everything I own is actually dirty. It can wait until tomorrow.

Tuesday, December 16, 2008

The 20 Favorite Actresses Meme

With many thanks to Nicole and C. K. Dexter Haven for tagging me, here are my 20 five (sorry, but it's finals week and even picking these few took longer than I thought) favorite actresses. It'll be interesting to look back on this in a few months or a year or so and see how my tastes change.


Bette Davis


Ingrid Bergman


Ginger Rogers


Katharine Hepburn


Carole Lombard

Tuesday, October 28, 2008

Don't let's ask for the moon. We have the stars...

The project for which I started this blog is due tomorrow, so this will likely be my last entry before I get graded. I'm still going to try and keep posting here even after I turn in the project, but I thought this would be a good time to stop and discuss some of the movies that first captured my interest in classic films. You may have noticed the badly-photoshopped banner at the top of this page. I made it a few months ago for another blog layout, and each frame in the film strip is a still from a movie that I've seen. My tastes have changed a bit since I put it together, so this isn't exactly a list of my favorite films, but I'll go through the banner from left to right and try to give you an idea of why I picked these movies.

Penny Serenade was the first black-and-white film I ever saw (willingly, that is; the usual holiday classics don't count). It was on PBS or a similar station one night when I couldn't sleep, and it was the first time I realized that movies without Technicolor contained actual plots and could even be entertaining. I was still in high school, and had no idea what I'd just seen or who had been in it (now, of course, I can't imagine not being able to recognize Cary Grant on sight), and it took two or three years before I was even able to track down the title of this film. After this I went quite a while without seeing another classic, but Penny Serenade is definitely the movie that opened my mind toward movies older than myself.

Top Hat was one of the first talking pictures we watched in my Film History class last year. After half a semester of silent films, a musical felt positively modern. Like Penny Serenade, Top Hat made me realize that old movies weren't nearly as outdated as I'd always assumed.

Notorious was my first Hitchcock film, and it's still among my favorite movies. The final scenes, in which Alicia is slowly poisoned by her mother-in-law and Devlin whisks her away right in front of them, still keep me glued to my seat every time.

It Happened One Night was my introduction to screwball comedy, and one of the first classic films I ever owned on DVD. I paid a tribute of sorts to this movie during last year's National Novel Writing Month; none of my friends got the reference, but it was my favorite thing that I wrote all month.

Now, Voyager is my second-favorite Bette Davis movie. Her willingness to appear completely unattractive for the sake of a role makes Charlotte Vale's transformation wholly believable. It gets sappy a times, such as the voice-over in Tina's room at Cascade, but it's still a film I never turn down the chance to see.

A Bill of Divorcement is the only film besides Penny Serenade on this list that I've only seen once. The plot is admittedly outdated, but Katharine Hepburn's performance is an early indicator of her outstanding career. I honestly can't remember why I included this movie, but I do remember that it's worth watching again to find out.

I probably should have done this post earlier, but better late than never and all that. At least now, if anyone's actually reading this, you'll have a better idea of where I'm coming from as far as my early experiences with classic films. Hopefully I'll get to do full posts on each of these movies at some point. That point, however, is not tonight.

Sources:

A Bill Of Divorcement (1932). (2008). IMDb. Retrieved October 28, 2008, from Internet Movie Database Web site: http://www.imdb.com/title/tt0022685/

Carrie. (20 April 2007). Photo Friday - Notorious. from Classic Montgomery: http://classicmontgomery.blogspot.com/2007/04/photo-friday-notorious.html

It Happened One Night (1934). (2008). IMDb. Retrieved October 28, 2008, from Internet Movie Database Web site: http://www.imdb.com/title/tt0025316/

Kuersten, Erich. (3 May 2008). Mother's Day Salute to Cinematic Blonde Moms... of DEATH!. from Bright Lights After Dark: http://brightlightsfilm.blogspot.com/2008/05/mothers-day-salute-to-cinematic-blonde.html

Notorious (1946). (2008). IMDb. Retrieved October 28, 2008, from Internet Movie Database Web site: http://www.imdb.com/title/tt0038787/

Now, Voyager (1942). (2008). IMDb. Retrieved October 28, 2008, from Internet Movie Database Web site: http://www.imdb.com/title/tt0035140/

Penny Serenade (1941). (2008). IMDb. Retrieved October 28, 2008, from Internet Movie Database Web site: http://www.imdb.com/title/tt0034012/

Top Hat (1935). (2008). IMDb. Retrieved October 28, 2008, from Internet Movie Database Web site: http://www.imdb.com/title/tt0027125/